Random portraits thread
Discussion
Question for Simon & the more experienced here at working with pro's (models, not the kind that lean in your car window...)
When you have an idea for a pose, how long would you attempt to work at getting it right, without worrying about boredom / fatigue setting in with the model and making it go to pot anyway?
When you have an idea for a pose, how long would you attempt to work at getting it right, without worrying about boredom / fatigue setting in with the model and making it go to pot anyway?
A portrait of the pooch
Miserable looking pooch by SausageArm, on Flickr
and one of the pleco's in my aquarium
Pleco at feeding time by SausageArm, on Flickr
Miserable looking pooch by SausageArm, on Flickr
and one of the pleco's in my aquarium
Pleco at feeding time by SausageArm, on Flickr
Davi said:
Question for Simon & the more experienced here at working with pro's (models, not the kind that lean in your car window...)
When you have an idea for a pose, how long would you attempt to work at getting it right, without worrying about boredom / fatigue setting in with the model and making it go to pot anyway?
Poses should be fairly easy, they'll just need adjustment, if it's not working it's time to move on. Come back to it again later if you really want itWhen you have an idea for a pose, how long would you attempt to work at getting it right, without worrying about boredom / fatigue setting in with the model and making it go to pot anyway?
Expressions are the ones that need the most work
andy-xr said:
Poses should be fairly easy, they'll just need adjustment, if it's not working it's time to move on. Come back to it again later if you really want it
Expressions are the ones that need the most work
How about if you find a pose, but the lighting isn't quite right and needs work? I ask because of a convo I had with another tog recently, who's colleague will pretty much build an entire box of flags and reflectors around a model till the lighting is absolutely how he wants it - but in my experience a model gets bored after about 30 seconds! I guess that may say more about me than the model though Expressions are the ones that need the most work
Problem I've found is that once someone's in front of the lights and you're pointing a camera at them they go into model mode
I want to be in a position where everything technical is already taken care of before they do that, so when they do I'm ready and not faffing around with lights etc, can just concentrate on what you're shooting safe in the knowledge you've got the lighting, aperture, shutter speeds etc all dialled in. I might adjust slightly, but the basics are ready to go
This is with studio stuff though, so it's uber controllable in that environment. Location work is a little different and needs a bit more experimentation.
I want to be in a position where everything technical is already taken care of before they do that, so when they do I'm ready and not faffing around with lights etc, can just concentrate on what you're shooting safe in the knowledge you've got the lighting, aperture, shutter speeds etc all dialled in. I might adjust slightly, but the basics are ready to go
This is with studio stuff though, so it's uber controllable in that environment. Location work is a little different and needs a bit more experimentation.
Davi said:
Question for Simon & the more experienced here at working with pro's (models, not the kind that lean in your car window...)
When you have an idea for a pose, how long would you attempt to work at getting it right, without worrying about boredom / fatigue setting in with the model and making it go to pot anyway?
For me once the lighting is set just a couple of minutes, no more than that. When you have an idea for a pose, how long would you attempt to work at getting it right, without worrying about boredom / fatigue setting in with the model and making it go to pot anyway?
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