Guitarist - new to gigging - what setup?

Guitarist - new to gigging - what setup?

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TheGriffter

Original Poster:

75 posts

180 months

Friday 17th July 2015
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Hi All,

Bit of background. I have been playing guitar for a few years, but was mostly learning and playing by myself. I now have started playing in a band and we have done 4 or 5 gigs playing Eagles, Stones, Pink Floyd stuff where I play mainly rhythm, but a few lead lines/fills as well. I have some pretty basic questions that hopefully some of the more expereinced PH giggers (and pros) can help out with, regarding simple setup.

Should the amp volume be set high and then rolled back using the guitar, or vice versa, or does it not matter and just create different tones?
I have 2 amps, VOX Valvetronix VT40+ which was bought about a year ago with lots of variations of modelled amps, effects, pedals etc. and an older Peavey Bravo 112 (valve amp / 30W / 2 channels - clean and dirty).

The VOX is potentially able to give me all these tones/sounds but I am struggling with the basics, the Peavey on the other hand is simple and could then be combined with some pedals, or a multi-effects unit? I was looking at the Boss ME25 as an example.

Any advice, or basic principles would be appreciated or things to go away and tweak with. At the moment I just literally set a certain level on the amp and then turn the guitar up a bit louder for a lead bit for example!

Cheers, griff




davidd

6,452 posts

284 months

Friday 17th July 2015
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I would keep it as simple as you can. If you can get the sounds you need from your peavey channels and a couple of pedals then that will be easier. I would also expect that the valve amp will cut through the mix better than the vox.

How are you running the amps at the moment? Wet/dry, stereo or are you just switching between them with a pedal?

What sounds does the vox give you that the peavey does not?

TheGriffter

Original Poster:

75 posts

180 months

Saturday 18th July 2015
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Sorry, I didn't explain very well. I am currently either using the Peavey or the VOX, they aren't both connected in stereo or switching via pedal.

The Peavey is really nice on either channel and being valve gives a nice tone, but I guess I was just looking to experiment with different effects (compression, chorus, maybe delay)

I bought the VOX to try and do this and get some variations on tone that I could switch between rhythm / lead and I think it is a fair amp for doing that, but maybe I just need to spend lots more time playing with it and understanding what it can do. I did read the manual (honest), but got a bit overwhelmed with Gain, Volume, Master and Power Level knobs and what controlled what pat of the pre-amp / power amp etc. and then how that related to the guitar volume/tone knobs!


audidoody

8,597 posts

256 months

Sunday 19th July 2015
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The primary tone comes from your hands and the instrument (i.e. solid body or semi-acoustic) and pickups (single-coil or H/Buckers,), and pickup position and even strings (heavy gauge or light).

If you're playing a variety of music you're probably going to find it simpler leave the amp on a clean sound and introduce distortion and other FX with pedals.

You really want to avoid futzing around with your amp settings in a live situation.

Get a compressor pedal like the Boss CS 3 and experiment with it. You'll be able to produce a much more consistent overall volume without having to adjust the amp settings every song.



Edited by audidoody on Sunday 19th July 21:12

Disastrous

10,083 posts

217 months

Sunday 19th July 2015
quotequote all
Agreed. Keep it as simple as possible.

One thing worth noting is that valve amps and solid state amps have different tone characteristics generally. I play a Vox AC15 which is a single channel valve amp. To give you an idea how I work it, I set the amp gain to just a very light overdrive, just over the edge from clean. This means I can use the guitar volume to back off a bit, if I want clean, or up a bit if I want crunch. I also use an overdrive pedal when I need a boost. The amp master volume I just use to give volume, rather than tone.

Not sure of either of your amps but if multi channel, your best bet is probably to set the 'clean' channel up like I describe and the 'dirty' channel as heavy as you like.

The only other thing I would say is the lighter the better. You'll get sick of loading heavy kit very quickly indeed and I find these days it becomes a game to see how little I can get away with packing.

BorkFactor

7,265 posts

158 months

Sunday 19th July 2015
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Simple is what you want IMO, so given your post I would go for the valve amp turned up loud and use the volume on the guitar to control the drive.

If you find yourself needing more, then an overdrive pedal will work well. Something like a Boss SD-1 is inexpensive and very effective. Don't forget a tuner pedal as well! wink

kev b

2,715 posts

166 months

Sunday 19th July 2015
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Our guitarist has a Vox VT30 and it sounds really good, probably due to the combination of a real valve and the modelling circuits, plenty loud enough for pub gigs as well. However he does not have the dedicated switching pedal which would make it much easier to use, essential I would say.

He has recently started using a Fender Twin valve amp with it's own switching pedal for overdrive, reverb, chorus etc, this is so good he never has to touch the amp all night.

If I were you and you don't have the switch pedal for your Vox I would seriously consider buying one. As a previous poster has said though, if you can set your controls so you can go from clean to crunch using your guitar volume you are most of the way there for rhythm playing.

Dai Capp

1,641 posts

260 months

Thursday 23rd July 2015
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As others have said, keep it simple. I'd go for the Peavey on the clean channel and put a pedal board on front of it. A couple of overdrives to give you lead boost if needed (one if you don't need lead boost), a chorus and a reverb at the simplest.

TheGriffter

Original Poster:

75 posts

180 months

Friday 24th July 2015
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Thanks for all the replies, really useful.
I've done three things which seem to be for now giving me the info to be able to make a decision and test/play with sounds:
1. Read the VOX manual in depth and multiple times whilst adjusting settings on the VOX, one at a time. I am now more able to see what modes of the amp are "tweakable", but more importantly fully understand how to set it up in "manual" mode and save the settings to a bank for retrieving later.

2. Got the footswitch that allows the VOX banks to be controlled
3. Dug out my old Boss pedals (Delay, Chorus) and used them with the Peavey.

The conclusion is absolutely to keep it simple but I now have 2 simple setups to choose from that I understand.
  • VOX with preset tones/effects stored and retrieved via fottswitch
  • Peavey on clean with Chorus/Reverb in front of it and a different footswitch to switch channel
Got a gig next Friday so many thanks for the advice and I'll report back on how the setup goes

Thanks, griff

Tom_C76

1,923 posts

188 months

Friday 24th July 2015
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Best of luck with the technology. KISS is always best in my opinion, I've been gigging with a single channel amp, tuner pedal, drive pedal and a chorus for two songs. Gets the tone from the guitar and amp, and cleans up well by reducing the volume on the guitar.

IainT

10,040 posts

238 months

Monday 27th July 2015
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I use mostly modelled FX & Amps with my bass rig and I find using the core amp tone as the basis and working from there gives far better results than trying to shape it with various FX/EQs.

As other said though - keep it as simple as possible for live. There's enough going on without complexity of changing dials song to song. If you get a gig where it's all going south (you know the one, flat tyre on the way there, stage too small, PA on the fritz, no foldback...) the last thing you'll want to add is complexity in the noise-making department...