Blade Runner Deckard Sedan
Discussion
Following on from my first thread here is my latest work in progress....
First up, the Deckard Sedan upgraded using the Paragrafix etch kit....
Bodyshell is perfectly moulded and the kit features lots of separate panels to apply to the basic shell making masking and painting of dissimilar colours easier...
The front end features some really fine detail....
The car is rear engined and features a lot of detail in that area....bright chrome and vinyl tubing are included for this....
Wheels are in satin chrome with vinyl tyres and metal axles...
Decals are perfectly printed by Cartograf and feature internal monitors and barcode license plate...
Oddly the etched fret from the Spinner kit is included but there are no references to it in the instructions...
As a bonus the first run of kits includes Deckard's blaster to around 1/4 scale. It might have been nice to have this in 1/24 too...
The colour I opted for is Rover Orange Blaze and is actually less bright than the flash makes it appear.....it's a compromise as the bronze colour used on the original makes the model look like a toy and in a lot of scenes it appears an orange brown anyway...
I ordered two ParaGrafix sets....
Despite having different labels, both sets are identical and provide parts for both the standard cars as seen driving around and the hero interior depicted when Deckard is behind the wheel.
One set was to upgrade the existing Sedan interior to model Deckard sitting in the car making the call to Pris.
I'm going to use the second set to build a Police version with an open door.....
I also have some plans for a Police Bike to match....watch this space....
Anyway, back to the Sedan....
Here's the basic dashboard components....
First job was to remove the prominent lip moulded onto the top edge....
This joint should be seamless when the screens are in place so a little filler and sanding will be needed here.
Next I cut the two etched screen parts from the fret and test fitted them to determine where to remove the plastic....note the area of the main dash piece that also needs surgery....These parts were then chaindrilled and the excess plastic removed...
On chopping out the dashboard I discovered that the assembly socket that mates with the interior tub was visible and might interfere with the lighting so I removed it using side cutters and a sharp blade...
I then very carefully removed the excess plastic from the screens...you need to be super-careful here as the process doesn't leave a lot of material along the bottom edge of the main screen...I used a blade that was sharp but not too sharp to avoid removing too much material. Once the screens are fixed to the dash however there is scope to reinforce this area with sheet styrene....
Next it was onto the main interior tub which had already recieved a coat of paint at the rear end....the dark matt brown in the seating area is just a base coat for the eventual beige colour.
First I test fitted the brass for the centre console to determine where the lights would be going....It's worth mentioning here that this is the 'hero' version which is the one Deckard sits in outside the Bradbury.
More chaindrilling and cutting resulted in two neat openings.....
Another job is to level the door panels prior to testfitting the door controls....the white area is where the plastic has been scraped flat, level with its surroundings
When assembled to the dash, the monitors have a large gap underneath...not an issue in the basic kit but obviously a problem if you intend to light it...so a piece of scrap styrene was cut and fixed in place...note the notch to allow for the steering mount...
Also some holes need cutting into the door linings to allow light through to the etch....
As with any lighting job it's important to plan ahead as to where the lights are fitted and to ensure that the kit will still fit together after modification. I lined the centre console with aluminium tape to prevent light leaks and also to bounce the light around inside so that it projects through the etch. A simple bulkhead was installed at the rear of the console and a hole drilled to take a 3mm white LED....
A similar hole was drilled in the front end and a piece of styrene fabricated to seal the bottom of the transmission tunnel....
The LED's were then glued in place....by having them light the box horizontally from either end this provides a more even light avoiding 'hot spots' through any particular area of etch....
Back onto the etch and the instructions say to remove the end panel of the raised portion of the centre console and replace with styrene to allow you to insert a light within....the hatched portion was simply bent back and forth till it snapped off....
The part is then folded and attached to the main panel....before being clad in some truly tiny pieces...
It's a similar story with the parts for the door panels....
Next was a styrene replacement for the brass piece I removed from the centre console to accomodate an LED inside. The styrene piece was made overheight so it meets the underside of the dash. The LED within was carefully sanded to allow it to slide into the narrow aperture...as long as you take care not to expose the 'element' then it will still work fine....
I also took the opportunity to add some styrene rod to the etch to give it some extra dimension....
I scratched some additional instruments for the passenger side using Evergreen strip and a length of guitar string....this would later have a few more bits here and some random fibre optic lights....
Then a quick test fit with the dashboard in place.....
The upgrade set provides cutting guides to open up the two missing windows in the rear bulkhead...
It's a fiddly job and you need to take care not to put too much pressure on the rather delicate framework but it's well worth the effort....
As mentioned previously, in every Sedan/Police Car 27 kit Fujimi kindly supply the etched fret that comes with the Spinner kit bearing the Spinner logos...presumably because Deckard's car is supposed to be a grounded earlier version of the Police fliers.
There's no evidence of this logo being used on the actual Sedan in the movie but I thought it might be fun to use it somewhere that might still remain in the grounded version. So I cut some ribbed Evergreen sheet to fit the footwells....(sorry about the dark pic)....
I then applied the logos....
After some painting and scraping back the face of the logos I had some neat looking mats...just the thing to keep that acid rain from ruining your carpets....note the wear on the drivers side...
Meanwhile the interior etched pieces were first primed then painted matt black before being drybrushed with various shades of grey...
The dashboard is a mixture of black and desert yellow....
Here it's just about ready for the detail painting...note the LED's for the monitors...I'll used some diffuser material to even out the light from these behind the screens....
Here's the centre console prior to detail painting....note I filled the open holes that let the light through using Microscale Kristal Klear (PVA or white glue works too) which dries transparent...these are then tinted using Tamiya clear colours...
Initial lighting test...still got some leaks on the edges of the panels but easily fixed....
Note that none of the individual holes have been colour tinted yet...
Console rear....
Here's the dashboard unlit....for the main screen I went with the Spinner lifting off after Deckard has explained who he is to the cops, the smaller screen has Pris answering Sebastian's phone....
And lit...this pic doesn't really do it justice....to the naked eye it looks great...
I added some fibre optics to the passenger side dash....
I got the fibres from a cheap Halloween toy and simply drilled out the dash using a 0.5mm drill and fed them through...what I didn't realise was that the CA glue I used to secure them reacted with them and actually melted the fibres!...nothing for it but to remove the damage, redrill them and then secure this time using 5-minute epoxy....
I fed them using a 3mm blue LED and the result was worth the hassle....
Meanwhile, after a trawl through my spares boxes I came across the remains of what I think was the navigator from a Tamiya rally car...I was also lucky to find a 1/24 head, just about the only one I had that wasn't wearing a crash helmet.
I did some surgery on the legs as the Sedan seats are really low to the floor. I also carved away the racing harness on the torso. The challenge now was to create the shirt, tie, jacket and trenchcoat....
I started out by adding a shirt collar and tie from thin styrene sheet applied with copious amounts of Plastic Weld cement to soften it and make it conform....
It's surprising how much better the figure looks just by those simple additions...
I then added some lapels and another collar to represent his suit jacket...I also added cuffs to the bottom of the trousers to disguise the rally driver origins...
The buttons were made from some of the etched ignition keys that come with Pauls upgrade set....
My figure sculpting skills are not the best but I roughed out the trenchcoat then left it to set before fine tuning the edges and adding some more detail. Given that the eye will be drawn more to the lights than to the figure, I was reasonably happy with the resemblence...
Painted up I was pleased with him considering figure sculpting is not my forte. The camera flash makes him appear shiny when in fact he is dead matt, here he is test fitted in the driving seat....
I gave him a sort of laptop made from a piece of styrene topped with an offcut of one of the spare slides from the upgrade set....
Close up he doesn't bear much resemblance to Harrison Ford, in fact in a strange way he looks more like Mark Hamill....
As well as giving you templates to cut out the missing windows in the rear bulkhead, the etched set also provides templates for cutting the 'glass' out of transparent sheet....
These were duly installed in the bulkhead along with the kit transparency and the whole assembly cemented in place....
I also painted in the lights using Tamiya Clear colours...
I finally attached the dashboard to the interior tub and did the final wiring to leave just a single set of feeds. These are way overlength and feed out through the bottom of the chassis behind the rear wheel...they then feed through the base and on to the power supply. The whole interior assembly was then glued to the chassis.
I then added the various engine parts which had been pre-painted. These were then connected up using a mixture of the kit-supplied vinyl tubing, some slightly thicker black wire and some wire-wound guitar string to simulate the cables seen in the pics of the real vehicle.
Here's a couple of views of the lights on the completed interior....I chose to mount the steering wheel with the spokes horizontal which is at odds with the instructions and also the real car but it means the screen displaying the spinner taking off is not obscured....
Here's a slightly blurry shot of the interior in darkness showing just how bright those lights are.....
here's the rear license plate installed...
The only other decal to apply was the red/white circle on the roof....the decals are by Cartograf and respond well to Microsol. Still some touching in to do on the window rubbers....
Rear view....note the two pipes going into the 'intake' on the roof, these are closer to the real car and not how they are shown in the kit instructions. A light spirit wash was applied made up of used thinners and MIG 'Starship Filth' oil colour. The overall colour of the Sedan appears much redder in these pics than to the eye....
More scale insanity....the detail in Blade Runner is staggering...Ridley Scott went to the trouble of getting the art department to create magazines to populate a news stand which is barely glimpsed in the final film.
I thought it would be fun to have some of these on the passenger seat so found the images online and shrank them before printing them off. A copy of Finescale Modeller gave me the dimensions of a typical US magazine size....275mm x 210mm which equates to 11.46mm x 8.75mm at 1/24 scale.
Here's the finished articles...I've not pictured the third mag, delightfully titled 'Krotch', to spare any sensitivities here....
They have back covers too, not that you'll see them, featuring Japanese drinks adverts...note the Johnnie Walker ad which is a brand featured in the movie...
Here they are on the seat....
So, on to the Randy Cooper backdrop...this is it straight out of the box with no cleaning up....
It's based on the building where Batty and Leon stand watching Deckard and Gaff search the apartment at 1187 Hunterwasser. The columns and door are really finely detailed and the parts extremely well cast...
Close up of the doorway detailing...
Detail on the pillar....
The diorama base as it comes is great but I wanted to make some minor adjustments...
Firstly, the pillars were too close to the door for my taste...
I built a small section of additional flooring from sheet styrene to allow the rear wall to move back....
This gives a greater gap from the wall to the pillars....
I also wanted to add downlights to the underside of the canopy to illuminate the entrance. I had a slight issue with the canopy piece as the thickness wasn't constant along it's length. If I was building the kit stock then this would be virtually unnoticeable but it was a problem with the lighting in mind....
I overcame it by glueing a strip of styrene along the underside of the front edge....
I then built up the underside with strips of increasing thickness...
Holes were carefully drilled through the canopy to house the LED downlights....
A piece of styrene sheet forms the new underside of the canopy...this is deeper than the original piece to allow for the rear wall being pushed back.
I obtained these brass portholes from my local model shop....
They are rebated on the back to allow them to drop into a pre-drilled hole...
And here they are fitted....
I also started fitting out the two roof-mounted advertising signs for lighting. I attached a strip of styrene around the inside edges to allow a transparent sign to be dropped in....note also the foil backing to reflect the light forwards...
First up, the Deckard Sedan upgraded using the Paragrafix etch kit....
Bodyshell is perfectly moulded and the kit features lots of separate panels to apply to the basic shell making masking and painting of dissimilar colours easier...
The front end features some really fine detail....
The car is rear engined and features a lot of detail in that area....bright chrome and vinyl tubing are included for this....
Wheels are in satin chrome with vinyl tyres and metal axles...
Decals are perfectly printed by Cartograf and feature internal monitors and barcode license plate...
Oddly the etched fret from the Spinner kit is included but there are no references to it in the instructions...
As a bonus the first run of kits includes Deckard's blaster to around 1/4 scale. It might have been nice to have this in 1/24 too...
The colour I opted for is Rover Orange Blaze and is actually less bright than the flash makes it appear.....it's a compromise as the bronze colour used on the original makes the model look like a toy and in a lot of scenes it appears an orange brown anyway...
I ordered two ParaGrafix sets....
Despite having different labels, both sets are identical and provide parts for both the standard cars as seen driving around and the hero interior depicted when Deckard is behind the wheel.
One set was to upgrade the existing Sedan interior to model Deckard sitting in the car making the call to Pris.
I'm going to use the second set to build a Police version with an open door.....
I also have some plans for a Police Bike to match....watch this space....
Anyway, back to the Sedan....
Here's the basic dashboard components....
First job was to remove the prominent lip moulded onto the top edge....
This joint should be seamless when the screens are in place so a little filler and sanding will be needed here.
Next I cut the two etched screen parts from the fret and test fitted them to determine where to remove the plastic....note the area of the main dash piece that also needs surgery....These parts were then chaindrilled and the excess plastic removed...
On chopping out the dashboard I discovered that the assembly socket that mates with the interior tub was visible and might interfere with the lighting so I removed it using side cutters and a sharp blade...
I then very carefully removed the excess plastic from the screens...you need to be super-careful here as the process doesn't leave a lot of material along the bottom edge of the main screen...I used a blade that was sharp but not too sharp to avoid removing too much material. Once the screens are fixed to the dash however there is scope to reinforce this area with sheet styrene....
Next it was onto the main interior tub which had already recieved a coat of paint at the rear end....the dark matt brown in the seating area is just a base coat for the eventual beige colour.
First I test fitted the brass for the centre console to determine where the lights would be going....It's worth mentioning here that this is the 'hero' version which is the one Deckard sits in outside the Bradbury.
More chaindrilling and cutting resulted in two neat openings.....
Another job is to level the door panels prior to testfitting the door controls....the white area is where the plastic has been scraped flat, level with its surroundings
When assembled to the dash, the monitors have a large gap underneath...not an issue in the basic kit but obviously a problem if you intend to light it...so a piece of scrap styrene was cut and fixed in place...note the notch to allow for the steering mount...
Also some holes need cutting into the door linings to allow light through to the etch....
As with any lighting job it's important to plan ahead as to where the lights are fitted and to ensure that the kit will still fit together after modification. I lined the centre console with aluminium tape to prevent light leaks and also to bounce the light around inside so that it projects through the etch. A simple bulkhead was installed at the rear of the console and a hole drilled to take a 3mm white LED....
A similar hole was drilled in the front end and a piece of styrene fabricated to seal the bottom of the transmission tunnel....
The LED's were then glued in place....by having them light the box horizontally from either end this provides a more even light avoiding 'hot spots' through any particular area of etch....
Back onto the etch and the instructions say to remove the end panel of the raised portion of the centre console and replace with styrene to allow you to insert a light within....the hatched portion was simply bent back and forth till it snapped off....
The part is then folded and attached to the main panel....before being clad in some truly tiny pieces...
It's a similar story with the parts for the door panels....
Next was a styrene replacement for the brass piece I removed from the centre console to accomodate an LED inside. The styrene piece was made overheight so it meets the underside of the dash. The LED within was carefully sanded to allow it to slide into the narrow aperture...as long as you take care not to expose the 'element' then it will still work fine....
I also took the opportunity to add some styrene rod to the etch to give it some extra dimension....
I scratched some additional instruments for the passenger side using Evergreen strip and a length of guitar string....this would later have a few more bits here and some random fibre optic lights....
Then a quick test fit with the dashboard in place.....
The upgrade set provides cutting guides to open up the two missing windows in the rear bulkhead...
It's a fiddly job and you need to take care not to put too much pressure on the rather delicate framework but it's well worth the effort....
As mentioned previously, in every Sedan/Police Car 27 kit Fujimi kindly supply the etched fret that comes with the Spinner kit bearing the Spinner logos...presumably because Deckard's car is supposed to be a grounded earlier version of the Police fliers.
There's no evidence of this logo being used on the actual Sedan in the movie but I thought it might be fun to use it somewhere that might still remain in the grounded version. So I cut some ribbed Evergreen sheet to fit the footwells....(sorry about the dark pic)....
I then applied the logos....
After some painting and scraping back the face of the logos I had some neat looking mats...just the thing to keep that acid rain from ruining your carpets....note the wear on the drivers side...
Meanwhile the interior etched pieces were first primed then painted matt black before being drybrushed with various shades of grey...
The dashboard is a mixture of black and desert yellow....
Here it's just about ready for the detail painting...note the LED's for the monitors...I'll used some diffuser material to even out the light from these behind the screens....
Here's the centre console prior to detail painting....note I filled the open holes that let the light through using Microscale Kristal Klear (PVA or white glue works too) which dries transparent...these are then tinted using Tamiya clear colours...
Initial lighting test...still got some leaks on the edges of the panels but easily fixed....
Note that none of the individual holes have been colour tinted yet...
Console rear....
Here's the dashboard unlit....for the main screen I went with the Spinner lifting off after Deckard has explained who he is to the cops, the smaller screen has Pris answering Sebastian's phone....
And lit...this pic doesn't really do it justice....to the naked eye it looks great...
I added some fibre optics to the passenger side dash....
I got the fibres from a cheap Halloween toy and simply drilled out the dash using a 0.5mm drill and fed them through...what I didn't realise was that the CA glue I used to secure them reacted with them and actually melted the fibres!...nothing for it but to remove the damage, redrill them and then secure this time using 5-minute epoxy....
I fed them using a 3mm blue LED and the result was worth the hassle....
Meanwhile, after a trawl through my spares boxes I came across the remains of what I think was the navigator from a Tamiya rally car...I was also lucky to find a 1/24 head, just about the only one I had that wasn't wearing a crash helmet.
I did some surgery on the legs as the Sedan seats are really low to the floor. I also carved away the racing harness on the torso. The challenge now was to create the shirt, tie, jacket and trenchcoat....
I started out by adding a shirt collar and tie from thin styrene sheet applied with copious amounts of Plastic Weld cement to soften it and make it conform....
It's surprising how much better the figure looks just by those simple additions...
I then added some lapels and another collar to represent his suit jacket...I also added cuffs to the bottom of the trousers to disguise the rally driver origins...
The buttons were made from some of the etched ignition keys that come with Pauls upgrade set....
My figure sculpting skills are not the best but I roughed out the trenchcoat then left it to set before fine tuning the edges and adding some more detail. Given that the eye will be drawn more to the lights than to the figure, I was reasonably happy with the resemblence...
Painted up I was pleased with him considering figure sculpting is not my forte. The camera flash makes him appear shiny when in fact he is dead matt, here he is test fitted in the driving seat....
I gave him a sort of laptop made from a piece of styrene topped with an offcut of one of the spare slides from the upgrade set....
Close up he doesn't bear much resemblance to Harrison Ford, in fact in a strange way he looks more like Mark Hamill....
As well as giving you templates to cut out the missing windows in the rear bulkhead, the etched set also provides templates for cutting the 'glass' out of transparent sheet....
These were duly installed in the bulkhead along with the kit transparency and the whole assembly cemented in place....
I also painted in the lights using Tamiya Clear colours...
I finally attached the dashboard to the interior tub and did the final wiring to leave just a single set of feeds. These are way overlength and feed out through the bottom of the chassis behind the rear wheel...they then feed through the base and on to the power supply. The whole interior assembly was then glued to the chassis.
I then added the various engine parts which had been pre-painted. These were then connected up using a mixture of the kit-supplied vinyl tubing, some slightly thicker black wire and some wire-wound guitar string to simulate the cables seen in the pics of the real vehicle.
Here's a couple of views of the lights on the completed interior....I chose to mount the steering wheel with the spokes horizontal which is at odds with the instructions and also the real car but it means the screen displaying the spinner taking off is not obscured....
Here's a slightly blurry shot of the interior in darkness showing just how bright those lights are.....
here's the rear license plate installed...
The only other decal to apply was the red/white circle on the roof....the decals are by Cartograf and respond well to Microsol. Still some touching in to do on the window rubbers....
Rear view....note the two pipes going into the 'intake' on the roof, these are closer to the real car and not how they are shown in the kit instructions. A light spirit wash was applied made up of used thinners and MIG 'Starship Filth' oil colour. The overall colour of the Sedan appears much redder in these pics than to the eye....
More scale insanity....the detail in Blade Runner is staggering...Ridley Scott went to the trouble of getting the art department to create magazines to populate a news stand which is barely glimpsed in the final film.
I thought it would be fun to have some of these on the passenger seat so found the images online and shrank them before printing them off. A copy of Finescale Modeller gave me the dimensions of a typical US magazine size....275mm x 210mm which equates to 11.46mm x 8.75mm at 1/24 scale.
Here's the finished articles...I've not pictured the third mag, delightfully titled 'Krotch', to spare any sensitivities here....
They have back covers too, not that you'll see them, featuring Japanese drinks adverts...note the Johnnie Walker ad which is a brand featured in the movie...
Here they are on the seat....
So, on to the Randy Cooper backdrop...this is it straight out of the box with no cleaning up....
It's based on the building where Batty and Leon stand watching Deckard and Gaff search the apartment at 1187 Hunterwasser. The columns and door are really finely detailed and the parts extremely well cast...
Close up of the doorway detailing...
Detail on the pillar....
The diorama base as it comes is great but I wanted to make some minor adjustments...
Firstly, the pillars were too close to the door for my taste...
I built a small section of additional flooring from sheet styrene to allow the rear wall to move back....
This gives a greater gap from the wall to the pillars....
I also wanted to add downlights to the underside of the canopy to illuminate the entrance. I had a slight issue with the canopy piece as the thickness wasn't constant along it's length. If I was building the kit stock then this would be virtually unnoticeable but it was a problem with the lighting in mind....
I overcame it by glueing a strip of styrene along the underside of the front edge....
I then built up the underside with strips of increasing thickness...
Holes were carefully drilled through the canopy to house the LED downlights....
A piece of styrene sheet forms the new underside of the canopy...this is deeper than the original piece to allow for the rear wall being pushed back.
I obtained these brass portholes from my local model shop....
They are rebated on the back to allow them to drop into a pre-drilled hole...
And here they are fitted....
I also started fitting out the two roof-mounted advertising signs for lighting. I attached a strip of styrene around the inside edges to allow a transparent sign to be dropped in....note also the foil backing to reflect the light forwards...
The main elements painted and partially weathered...still some detail painting to do around the door and the various bits of ducting....
The underside of the canopy....I painted this with a rust red enamel and as soon as it was dry oversprayed it with an acrylic red which reacted with the first coat to give a crackled, distressed look...just what I was after.
I inserted six 5mm white LED's into the downlights then filled up the rest of the hole with epoxy resin that dried a milky white...
Here they are lit....
And placed in situ....
Here's a couple of moody night shots in the dark....
The door piece after a lot of detail painting...remember this is a single piece of resin....
I found some Japanese posters and newspapers on Google and shrunk them to scale before printing them off...they were then glued to the wall using white glue and weathered...
Close up of the posters....
The door received two Japanese characters at the top and some fibre optics at the centre...hard to see in this pic but quite bright in reality...
I also made my own copy of the Los Angeles Times ( it's dated 3rd November 2019) with a suitable headline from just prior to the events in the movie....
Also printed are some actual signs from the movie....
An hour in front of the computer produced this cut out appliance box....
Assembled and weathered....note the product description, they've moved on from microwaves....
In situ on the pavement....
Finally got the top wall in place with the screens....I played around with japanese adverts downloaded from Google and shrunk to fit the screens...here's a Sapporo beer one....
The flash washes out a lot of the effect...here's a shot in natural light...
Here's the other screen with a girl advertising a herbal drink...
And in the dark....note that the images are only printed on paper...the final images will be printed on acetate...
Finally installed the screens....they are printed on plain paper, the experiments with the translucent paper didn't work, but I sandwiched them between clear acetate (front) and very thin styrene sheet (behind) and I'm pleased with the results....
Made some miniature garbage bags from actual bin liners....
Here they are placed in the corner.....
Miniature newspapers scattered across the street....
Close up....note the headline....
Sedan in place.....
And that's where I'm at to date....apologies for the mammoth first posts but I'm moving on to dirtying up the street now and possibly adding another figure....
The underside of the canopy....I painted this with a rust red enamel and as soon as it was dry oversprayed it with an acrylic red which reacted with the first coat to give a crackled, distressed look...just what I was after.
I inserted six 5mm white LED's into the downlights then filled up the rest of the hole with epoxy resin that dried a milky white...
Here they are lit....
And placed in situ....
Here's a couple of moody night shots in the dark....
The door piece after a lot of detail painting...remember this is a single piece of resin....
I found some Japanese posters and newspapers on Google and shrunk them to scale before printing them off...they were then glued to the wall using white glue and weathered...
Close up of the posters....
The door received two Japanese characters at the top and some fibre optics at the centre...hard to see in this pic but quite bright in reality...
I also made my own copy of the Los Angeles Times ( it's dated 3rd November 2019) with a suitable headline from just prior to the events in the movie....
Also printed are some actual signs from the movie....
An hour in front of the computer produced this cut out appliance box....
Assembled and weathered....note the product description, they've moved on from microwaves....
In situ on the pavement....
Finally got the top wall in place with the screens....I played around with japanese adverts downloaded from Google and shrunk to fit the screens...here's a Sapporo beer one....
The flash washes out a lot of the effect...here's a shot in natural light...
Here's the other screen with a girl advertising a herbal drink...
And in the dark....note that the images are only printed on paper...the final images will be printed on acetate...
Finally installed the screens....they are printed on plain paper, the experiments with the translucent paper didn't work, but I sandwiched them between clear acetate (front) and very thin styrene sheet (behind) and I'm pleased with the results....
Made some miniature garbage bags from actual bin liners....
Here they are placed in the corner.....
Miniature newspapers scattered across the street....
Close up....note the headline....
Sedan in place.....
And that's where I'm at to date....apologies for the mammoth first posts but I'm moving on to dirtying up the street now and possibly adding another figure....
Thanks for the interest....
Been a while since I was on this build as I've had a lot of other stuff going on...
Just been messing around with my camera trying to get some interesting night shots....see what you think....
Deckard makes a call....
The lights help highlight the figure....
I think the graininess gives it that misty, acid rain feel...
The advertising screens are still imperfect but I think it adds to the atmosphere....
Another atmospheric shot....
Deckard drives away leaving the papers blowing across the sidewalk.....
Been a while since I was on this build as I've had a lot of other stuff going on...
Just been messing around with my camera trying to get some interesting night shots....see what you think....
Deckard makes a call....
The lights help highlight the figure....
I think the graininess gives it that misty, acid rain feel...
The advertising screens are still imperfect but I think it adds to the atmosphere....
Another atmospheric shot....
Deckard drives away leaving the papers blowing across the sidewalk.....
k do you find the time?I'm also seriously staggered by your model making skills and attention to detail. A couple of those photos above could pass for a full sized film set.
As for the design of the car I find it hard to believe it was the work of Sid Mead. Maybe when he came to design it he was working to strict time and/or budget limitations. I suppose it works OK in the film as it's not subjected to close scrutiny but it's a pretty poor result when seen in the cold light of day.
As for the design of the car I find it hard to believe it was the work of Sid Mead. Maybe when he came to design it he was working to strict time and/or budget limitations. I suppose it works OK in the film as it's not subjected to close scrutiny but it's a pretty poor result when seen in the cold light of day.
Edited by chad valley on Monday 26th August 14:14
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