How about an Aston photo thread!
Discussion
LesF said:
My first Aston. The poor thing sits outside as there's a 32 year old Rolls Royce in the garage that's not seen rain for 26 years.
I may be completely barking up the wrong tree....but did I buy a Boxster from you many years ago? V19 FLY looks familiar It was a GT Silver 987S.
Only just discovered this thread so here's mine....
Likeomg said:
I know its photo's but took the drone out, playing around with its tracking function, think it does a really good job....
https://www.youtube.com/watch?v=jEFfdZUVLVA
all shot in 4k
Tracking function is excellent and the blue car really stands out. You are dropping a frame per second though starting at 1'11". You can see the regular frame hop. Did you match the shoot frame rate to the edit frame rate to the output compressor framerate? [Sorry busman's holiday here ]https://www.youtube.com/watch?v=jEFfdZUVLVA
all shot in 4k
Edited by Ken Figenus on Saturday 20th April 10:29
Ken Figenus said:
Tracking function is excellent and the blue car really stands out. You are dropping a frame per second though starting at 1'11". You can see the regular frame hop. Did you match the shoot frame rate to the edit frame rate to the output compressor framerate? [Sorry busman's holiday here ]
Yeah, im not too sure why, I sped up the longer segments (after 1'11') in final cut pro.... Edited by Ken Figenus on Saturday 20th April 10:29
Likeomg said:
Yeah, im not too sure why, I sped up the longer segments (after 1'11') in final cut pro....
I've cut a lot of commercials and the sweet spot for normal feeling extra pace is 120% to 125% - but don't basic render it (interpolated or duplicated etc) - use a trick motion intelligent adaptive one - 'fluid motion' in my (Avid) case . Things that are divisible or a multiple of 25 are always better (if you are shooting 25fps).Ken Figenus said:
Likeomg said:
Yeah, im not too sure why, I sped up the longer segments (after 1'11') in final cut pro....
I've cut a lot of commercials and the sweet spot for normal feeling extra pace is 120% to 125% - but don't basic render it (interpolated or duplicated etc) - use a trick motion intelligent adaptive one - 'fluid motion' in my (Avid) case . Things that are divisible or a multiple of 25 are always better (if you are shooting 25fps).Hats off to your expertise sir.
Edited by james-witton on Tuesday 23 April 13:33
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