Which speedlite for a 350D...?
Discussion
I've never used a speedlite before and I keep reading the advice given to add one to the kit list.
Given the age of the camera, what would you recommend? This isn't for an immediate requirement/situation but I hope to be in a position to put one to use before too long.
ps about the 350, according to a google image search, I have a hairy 'matte focusing screen' which I'm struggling to clear. What do I need to rid it of the fibres from the bent cotton bud I was using?
Given the age of the camera, what would you recommend? This isn't for an immediate requirement/situation but I hope to be in a position to put one to use before too long.
ps about the 350, according to a google image search, I have a hairy 'matte focusing screen' which I'm struggling to clear. What do I need to rid it of the fibres from the bent cotton bud I was using?
Thanks ST.. Don't need one immediately but would like to know what would be overkill for an old camera and a novice user.
I'm going to try to attract and throw myself into a variety of different projects by offering a little free photography to various types of businesses.
If I find myself in a position where a speedlite is a requirement rather than an optional extra then I was wondering whether it should be something like a used 430ex for instance, or would a £30 Neewer module fit the bill.
I'm going to try to attract and throw myself into a variety of different projects by offering a little free photography to various types of businesses.
If I find myself in a position where a speedlite is a requirement rather than an optional extra then I was wondering whether it should be something like a used 430ex for instance, or would a £30 Neewer module fit the bill.
I bought the Yangnuo 568 model for my Nikon, also available for Canon. In fact I was so pleased with it I bought two.
Around £80 or so on Amazon, well constructed, powerful, has not let me down and good reviews across YouTube etc.
I went for that model as it does High Speed Sync, something I want to try when I get the next camera - in other words I was looking ahead.
Worth a look for you I would think!
Around £80 or so on Amazon, well constructed, powerful, has not let me down and good reviews across YouTube etc.
I went for that model as it does High Speed Sync, something I want to try when I get the next camera - in other words I was looking ahead.
Worth a look for you I would think!
Speedlights really come into 3 different groups.
Manual - no metering, you control the power yourself. Great for staged shots and static conditions. Yongnuo etc do some nice ones.
ETTL - uses canons flash metering system (can always be used manual), flash power controlled by flash exposure compensation. 430ex 580ex and 3rd parties, I have a Nissin Di866 ( 580 equivalent).
Off camera - either of the above with triggers (cheap manual, or ettl ones) or canons 600ex series with controller etc.
Manual - no metering, you control the power yourself. Great for staged shots and static conditions. Yongnuo etc do some nice ones.
ETTL - uses canons flash metering system (can always be used manual), flash power controlled by flash exposure compensation. 430ex 580ex and 3rd parties, I have a Nissin Di866 ( 580 equivalent).
Off camera - either of the above with triggers (cheap manual, or ettl ones) or canons 600ex series with controller etc.
If you're going to attempt commercial work, and to stay with Canon, buy a good Canon speedlite (check compatibility for your model). You don't want to struggle with Mickey Mouse units or worry about settings with a client breathing down your neck, you need ease of use, performance and reliability.
Furthermore, a powerful flash can be turned down but a weak one can't be turned up, so don't skimp
PS Don't work for free.
Furthermore, a powerful flash can be turned down but a weak one can't be turned up, so don't skimp

PS Don't work for free.
I appreciate your comments - didn't consider speedlights might be underpowered - was concerned with dealing with the opposite, in fact.
Bit of a catch-22 re clients and working for free as I have no promo portfolio and would feel a bit of a fraud pitching for paid work.
At the moment I'm getting what I feel are a couple of reasonable shots per fun session by blundering around in manual mode - with no real pressure/expectation from anyone. Charging for that seems...unethical (maaan)
Bit of a catch-22 re clients and working for free as I have no promo portfolio and would feel a bit of a fraud pitching for paid work.
At the moment I'm getting what I feel are a couple of reasonable shots per fun session by blundering around in manual mode - with no real pressure/expectation from anyone. Charging for that seems...unethical (maaan)

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