reducing depth of field in photoshop (jargon-tastic post)
reducing depth of field in photoshop (jargon-tastic post)
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Scho

Original Poster:

2,479 posts

233 months

Monday 7th April 2008
quotequote all
hi all,

i really like the shallow dof you get when shooting portraits using a 'normal lens' and a large format camera. yes you can get shallow dof by using a longer lens on a dslr BUT you don't get the same field of view or that kind of natural perspective you get when using a 150mm on a 5x4 cpmpared to a 50mm on a dslr.

however. i don't like the cost of shooting large format and the project i have in mind will most likely bankrupt me if i used 5x4.

i've been scanning the interweb for tutorials on how to fake dof. i tried one with pretty poor results.

the project involves shooting full length shots of people in interior like this super duper self portait i shot to test with (shot at f2.0):



i'd like to get the focus fall off like this:



HELP!






Edited by Scho on Monday 7th April 12:45

LaSarthe+Back

2,084 posts

243 months

Monday 7th April 2008
quotequote all
Do your normal curves to start with.

1. Duplicate layer, then use Gaussian blur to between 7-10% can't remember the other values.
2. Add an inverted layer mask and paint in the bits you'd like blurred. As you get closer to the plane of focus, you can lower the opacity of the brush (to 50%) to make it a little less blurry and the a small brush's width at 20% or so.
3. Then flatten image.

It takes a little practise, but is great for getting f/2.8 like shots when you don't expensive glass!!

Simpo Two

92,956 posts

295 months

Monday 7th April 2008
quotequote all
Tried a 50mm f1.4?

Not wide, but you get real DOF. I think fake DOF looks dreadful and it's the first thing I look for when browsing catalogues etc to see if they've been cheapskates!

Edited by Simpo Two on Monday 7th April 13:25

The_Jackal

4,854 posts

227 months

Monday 7th April 2008
quotequote all
You can do it by skillful use of selections and applying a gradient to a blur filter. The trick is applying it to different layers and blending them and also how you make the selection (this is probably the main thing affecting the quality of the result).
I dont know what your level of Photoshop skill is but it isnt meant to be easy, all the best results come from subtle use of the features and can take years to perfect.

Scho

Original Poster:

2,479 posts

233 months

Monday 7th April 2008
quotequote all
The_Jackal said:
I dont know what your level of Photoshop skill is
ste.

just do basic stuff frown

simpo. i have a 1.4

not quite enough fall off for me. tricky as it's full length, i'd usually just go in closer but i want to try and keep quite a lot of the environment in the shot.

Gingerbread Man

9,173 posts

243 months

Monday 7th April 2008
quotequote all
Scho said:
not quite enough fall off for me. tricky as it's full length, i'd usually just go in closer but i want to try and keep quite a lot of the environment in the shot.
Could you combine shots?

JimNotJon

761 posts

239 months

Monday 7th April 2008
quotequote all
Photoshop CS2 And Above:

Select Lassoo Tool... On The Top Window It Will Give You An Option To Feather, Select A Number (may take a bit of trial and error) And This Will Soften The Transition. Go To Filter, Blue, Lens Blur and Adjust The Settings.. very effective in my oppinion.

Andy M

3,755 posts

289 months

Monday 7th April 2008
quotequote all
Gingerbread Man said:
Could you combine shots?
My suggestion too.

Don't attempt to add bokeh in post processing - 99.99% of the time it looks bloody awful.

Scho

Original Poster:

2,479 posts

233 months

Monday 7th April 2008
quotequote all
Andy M said:
Gingerbread Man said:
Could you combine shots?
My suggestion too.

Don't attempt to add bokeh in post processing - 99.99% of the time it looks bloody awful.
how would that work then?

Simpo Two

92,956 posts

295 months

Monday 7th April 2008
quotequote all
Scho said:
how would that work then?
'Focus bracketing'. You can work out the rest smile



ETA: or in this case, 'out of focus bracketing' hehe

Edited by Simpo Two on Monday 7th April 16:06

Scho

Original Poster:

2,479 posts

233 months

Monday 7th April 2008
quotequote all
Simpo Two said:
Scho said:
how would that work then?
'Focus bracketing'. You can work out the rest smile



ETA: or in this case, 'out of focus bracketing' hehe

Edited by Simpo Two on Monday 7th April 16:06
ah.

will have a bash.

cliff123

458 posts

272 months

Monday 7th April 2008
quotequote all
Scho said:
i have a 1.4 not quite enough fall off for me.
Agreed, a 50mm might not be wide enough for your needs, but are you sure it doesn't have enough fall off? With my 50mm 1.4 if you focus on the nose of a model, your lucky to have the eyes in pin sharp foucs, and it's a blur by the time you get too the ears on a portrait shot.

In addition, I think once you do get the fall off correct you'll have a nice shot, particularly if your doing a series of them. Good luck, look forward to seeing the results.


Edited by cliff123 on Monday 7th April 19:38

_dobbo_

14,619 posts

278 months

Monday 7th April 2008
quotequote all
cliff123 said:
Scho said:
i have a 1.4 not quite enough fall off for me.
Agreed, a 50mm might not be wide enough for your needs, but are you sure it doesn't have enough fall off? With my 50mm 1.4 if you focus on the nose of a model, your lucky to have the eyes in pin sharp foucs, and it's a blur by the time you get too the ears on a portrait shot.
Surely this entirely depends on your distance from the subject? When you are talking about a head shot, you will struggle to get both the nose and eyes in focus at f/1.4, but when you move back and compose like Scho's first example, the DoF gets to be quite a bit bigger - almost certainly enough to get the whole face and ears in focus.

Scho

Original Poster:

2,479 posts

233 months

Monday 7th April 2008
quotequote all
this is the kid of look i'm after:

http://images.google.co.uk/images?um=1&hl=en&a...

01101001

123 posts

222 months

Monday 7th April 2008
quotequote all
you need a 30mm 1.4 prime lens sigma make a nice one..

cliff123

458 posts

272 months

Tuesday 8th April 2008
quotequote all
_dobbo_ said:
cliff123 said:
Scho said:
i have a 1.4 not quite enough fall off for me.
Agreed, a 50mm might not be wide enough for your needs, but are you sure it doesn't have enough fall off? With my 50mm 1.4 if you focus on the nose of a model, your lucky to have the eyes in pin sharp foucs, and it's a blur by the time you get too the ears on a portrait shot.
Surely this entirely depends on your distance from the subject? When you are talking about a head shot, you will struggle to get both the nose and eyes in focus at f/1.4, but when you move back and compose like Scho's first example, the DoF gets to be quite a bit bigger - almost certainly enough to get the whole face and ears in focus.
Agreed, I was simply trying to show my surprise that the 1.4 didn't have enough fall off. I appreciate that the 50mm on a digi body wouldn't really be wide enough for the shot he wants.

Having just seen another posting using a Sigma 10-20mm lens, I'd have thought that would be perfect for this project, and it's not such an expensive lens.

Scho

Original Poster:

2,479 posts

233 months

Tuesday 8th April 2008
quotequote all
had a bash on photoshop this morning:



what do we think ph?

obv the selection is a bit ropey.





cliff123

458 posts

272 months

Tuesday 8th April 2008
quotequote all
Sorry Scho, but I think not. I think it needs to be much more subtle.

Scho

Original Poster:

2,479 posts

233 months

Tuesday 8th April 2008
quotequote all
cliff123 said:
Sorry Scho, but I think not. I think it needs to be much more subtle.
its ok cliff... i can take it buddy frown





looks like i'l have to buy that 10x8 camera afterall biggrin (GF will be impressed)




Edited by Scho on Tuesday 8th April 10:57