Good test tracks
Discussion
Rummaging through my CD collection for tracks that I would consider not only great music but good for auditioning of new gear.
I have found Red Hot Chili Peppers 'The adventures of rain dance maggie' fills my bill perfectly. Interested in what tracks you consider to set a challenge for auditioning.
I have found Red Hot Chili Peppers 'The adventures of rain dance maggie' fills my bill perfectly. Interested in what tracks you consider to set a challenge for auditioning.
Light My Fire [Kenny Dope Remix) from the Shirley Bassey remix album. Always the first track I use - the percussive dynamics from around 2m 10sec will make the hairs on the back of your neck stand up in a good system.
Slighly dodgy vid to give a flavour
http://www.youtube.com/watch?v=8c5D0aRiJjk
Slighly dodgy vid to give a flavour
http://www.youtube.com/watch?v=8c5D0aRiJjkEdited by StuH on Thursday 22 November 00:27
Play as much different music as you can, and none you don't really enjoy but play for the sake of 'testing'.
Many people make decisions based on single 'reference' tracks and their idea of what it should sound like. Which might or might not have any bearing on what's actually on the disc (even the recording engineers don't know as they work with the limitiations and ideosyncrasies of their own monitoring equipment and room acoustics. Nothing is ever perfect).
A not-so-good system will tend to homogenise the sound of everything you play through it. Either because it takes away a lot of the aspects that make a recording unique, or by imposing it's own sonic signature on the music (which may sound impressive with some tracks and annoy the hell out of you with different music).
The better system is invariably the one that discriminates between the sound characteristics of different recordings the most.
Many people make decisions based on single 'reference' tracks and their idea of what it should sound like. Which might or might not have any bearing on what's actually on the disc (even the recording engineers don't know as they work with the limitiations and ideosyncrasies of their own monitoring equipment and room acoustics. Nothing is ever perfect).
A not-so-good system will tend to homogenise the sound of everything you play through it. Either because it takes away a lot of the aspects that make a recording unique, or by imposing it's own sonic signature on the music (which may sound impressive with some tracks and annoy the hell out of you with different music).
The better system is invariably the one that discriminates between the sound characteristics of different recordings the most.
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