using effects loops from a mixing desk
Discussion
OK, about a thousand options here... but how do you set up your outboard effects for live, recording, rehersal etc
Pratice:
Guitar - effects unit - desk
Vocal - desk - effects unit
All to headphones
Recording:
guitar - effects - miked up amp
vocal - DI (monitor as above)
Live:
Dunno
I've seen people bring in their own mini rack and just plug into a single stereo in the house PA
But I'd have thought it would be better to utilise as many separate channels as possible
If you use a specific bit of kit would you like to link that in before the desk, or use the desk effects loop
does any of that make sense ?
Pratice:
Guitar - effects unit - desk
Vocal - desk - effects unit
All to headphones
Recording:
guitar - effects - miked up amp
vocal - DI (monitor as above)
Live:
Dunno

I've seen people bring in their own mini rack and just plug into a single stereo in the house PA
But I'd have thought it would be better to utilise as many separate channels as possible

If you use a specific bit of kit would you like to link that in before the desk, or use the desk effects loop
does any of that make sense ?
When i was doing live sound the effects route went like this:
Instrument > Effects > Amp > SM57 >------> Mixer - Master Out EQ - Power Amp - Front of house
Vocals > SM58 >-------> Mixer - Plugin (Comp, limiter, rack effects) - Master Out EQ - Power Amp - Front of house
Monitor feeds were taken as a pre-fader out and controlled off of four Aux sends to two stereo amps, supplying 4 monitors = four different monitor sends. These each has there own EQ for 'ringing out the monitors' and reducing room feedback.
Probably too much info on there, but something to get your teeth into. All venues are different though...
Instrument > Effects > Amp > SM57 >------> Mixer - Master Out EQ - Power Amp - Front of house
Vocals > SM58 >-------> Mixer - Plugin (Comp, limiter, rack effects) - Master Out EQ - Power Amp - Front of house
Monitor feeds were taken as a pre-fader out and controlled off of four Aux sends to two stereo amps, supplying 4 monitors = four different monitor sends. These each has there own EQ for 'ringing out the monitors' and reducing room feedback.
Probably too much info on there, but something to get your teeth into. All venues are different though...
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