Discussion
I'd swapped mine for a 70-200 F4L and so glad I did. They are obviously very different lenses but I was quite disappointed with the sharpness. I have heard that the IQ varies from lens to lens on the 10-20mm.
I got it for architecture but never got the chance to use it in that capacity but I still managed some shots I was happy with before it went. All in all it was a bit of an anticlimax for me.
I got it for architecture but never got the chance to use it in that capacity but I still managed some shots I was happy with before it went. All in all it was a bit of an anticlimax for me.
I think the problem with them is the inconsistency, if you get a sharp copy its fine, just the luck of the draw.
One thing I noticed is that its not just one issue - there seem to be a few complaints (e.g. soft on the corners, down one side etc).
I'm looking for a UWA and ruled it out because of this and the naff build (I used a tamron at the same time and thought that was better built).
I think i will end up with the the canon 10-22.
Tokina 11-16 a bit too restrictive, put off of the 12-24 because they aren't great with flare and its not much cheaper than the canon.
One thing I noticed is that its not just one issue - there seem to be a few complaints (e.g. soft on the corners, down one side etc).
I'm looking for a UWA and ruled it out because of this and the naff build (I used a tamron at the same time and thought that was better built).
I think i will end up with the the canon 10-22.
Tokina 11-16 a bit too restrictive, put off of the 12-24 because they aren't great with flare and its not much cheaper than the canon.
Bear in mind the 10-20 is a relatively cheap indy lens; both Canon and Nikon have UWAs that are no doubt better - you just have to pay more...
http://www.warehouseexpress.com/buy-nikon-10-24mm-...
Or this one for the FX crew: http://www.warehouseexpress.com/buy-nikon-14-24mm-...
http://www.warehouseexpress.com/buy-nikon-10-24mm-...
Or this one for the FX crew: http://www.warehouseexpress.com/buy-nikon-14-24mm-...
Edited by Simpo Two on Sunday 16th October 12:18
I read something recently (no idea if it's true) about lenses and sharpness. Thought I'd share quickly.
Essentially they (the writer of the article) suggested that a body would have a certain spread of quality, lets say a +2 sharpness to -2 sharpness. And a lens would also have the same quality spread. In the unfortunate circumstance that you had a -2 body and a -2 lens, you won't have a happy time. However, have a +2 and a -2 and your a focusing genius.
The whole point about sending cameras and lenses off was to ensure that everything matched and gave a good result. Not sure how.
Anyway, no idea if the above is hocus pocus.
Essentially they (the writer of the article) suggested that a body would have a certain spread of quality, lets say a +2 sharpness to -2 sharpness. And a lens would also have the same quality spread. In the unfortunate circumstance that you had a -2 body and a -2 lens, you won't have a happy time. However, have a +2 and a -2 and your a focusing genius.
The whole point about sending cameras and lenses off was to ensure that everything matched and gave a good result. Not sure how.
Anyway, no idea if the above is hocus pocus.
Crafty_ said:
I think i will end up with the the canon 10-22.
Tokina 11-16 a bit too restrictive, put off of the 12-24 because they aren't great with flare and its not much cheaper than the canon.
I wouldn't discount the Tokina without appreciating that it's an f2.8 lens on the full zoom range. The difference between 10 and 11mm is not much, maybe you have to stand a couple of feet further back (if that), and at 16mm you might have to stand a couple feet further forward. But I have to say that I rarely use 16mm on my Tokina.Tokina 11-16 a bit too restrictive, put off of the 12-24 because they aren't great with flare and its not much cheaper than the canon.
However, what is very nice is a constant f2.8 throughout the zoom. As for build quality, the Tokina really is a nice lens to own and puts a lot of lenses to shame.
If you want really wide theres the sigma 8-16mm, its a fantastic lens, best in class easily, but it is a pain to use filetrs with.
Also there is a 12-24 mkII which is a whole lot better than the old one.
Remember the sigma 10-20 is more like 10.9mm anyhow, so 11mm may be only a touch narrower.
I'm considering changing from 10-20 to 10-22 or 11-16 but then I think I will end up with a FF body soon so that changes everything.
Also there is a 12-24 mkII which is a whole lot better than the old one.
Remember the sigma 10-20 is more like 10.9mm anyhow, so 11mm may be only a touch narrower.
I'm considering changing from 10-20 to 10-22 or 11-16 but then I think I will end up with a FF body soon so that changes everything.
RobDickinson said:
If you want really wide theres the sigma 8-16mm, its a fantastic lens, best in class easily, but it is a pain to use filetrs with.
Is it even possible? I'd ruled it out as I wanted to use filters and that didn't seem to be an option. Most reviews have it down as a superb lens.I went for the Tokina 11-16 in the end. Utterly brilliant and highly recommended but obviously more costly than the Sigma 10-20. I paid £400 for a used one.
JDRoest said:
I read something recently (no idea if it's true) about lenses and sharpness. Thought I'd share quickly.
Essentially they (the writer of the article) suggested that a body would have a certain spread of quality, lets say a +2 sharpness to -2 sharpness. And a lens would also have the same quality spread. In the unfortunate circumstance that you had a -2 body and a -2 lens, you won't have a happy time. However, have a +2 and a -2 and your a focusing genius.
The whole point about sending cameras and lenses off was to ensure that everything matched and gave a good result. Not sure how.
Anyway, no idea if the above is hocus pocus.
This one? Makes sense to me!Essentially they (the writer of the article) suggested that a body would have a certain spread of quality, lets say a +2 sharpness to -2 sharpness. And a lens would also have the same quality spread. In the unfortunate circumstance that you had a -2 body and a -2 lens, you won't have a happy time. However, have a +2 and a -2 and your a focusing genius.
The whole point about sending cameras and lenses off was to ensure that everything matched and gave a good result. Not sure how.
Anyway, no idea if the above is hocus pocus.
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