More audiophile nonsense (USB cable related)
More audiophile nonsense (USB cable related)
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TonyRPH

Original Poster:

13,460 posts

191 months

Friday 7th September 2012
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The review began...

Review said:
Normally, when you push music through a USB cable, the data, which arrives in blocks, includes narrow bits which represents the high frequency portions of the final music. Within current USB cables, these bits are largely lost because the cable isn't fast enough to cope, the sampling continues but the narrow bits are largely ignored because they are seen as errors.
So, the review is (kind of) implying that a cable that carries a digital signal is analogous to a cable carrying an analogue signal.

What utter twaddle.

This to justify a USB cable with costs £298. (and I'm sure there are many much more expensive cables out there).


CarbonM5

927 posts

214 months

Friday 7th September 2012
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Nonsense indeed,there's no proof or real basis for them to declare an improvement over a £3 cable.


OldSkoolRS

7,080 posts

202 months

Friday 7th September 2012
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Just out of interest the review wasn't in 'What Hifi' by chance? Utter twaddle where ever it was written. hehe

TonyRPH

Original Poster:

13,460 posts

191 months

Friday 7th September 2012
quotequote all
Hi Fi World this time!

They used to be (sort of) ok, but are now getting silly with some of the "digital" reviews.


page3

5,147 posts

274 months

Saturday 8th September 2012
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That's not audiophile nonsense, its just nonsense!

RobDickinson

31,343 posts

277 months

Saturday 8th September 2012
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Narrow Bits ?!? biggrin

'Bits' are voltage spikes in frames with error correction & check digits etc and with such a huge margin of error your almost never going to see a mistake even if you examine the raw data.

I guess the reviewer still has his Linn sondeck in pride of place...

Riff Raff

5,427 posts

218 months

Saturday 8th September 2012
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RobDickinson said:
I guess the reviewer still has his Linn sondeck in pride of place...
And what's wrong with a Sondek?

OldSkoolRS

7,080 posts

202 months

Saturday 8th September 2012
quotequote all
TonyRPH said:
Hi Fi World this time!

They used to be (sort of) ok, but are now getting silly with some of the "digital" reviews.
I think it's more a question that they have to try to find new things to write about to keep magazines alive. If it's a 'review' of a HDMI cable or in this case a USB cable they can't just write a sentence or two describing how it looks and what it's made of, so they have to pad it out with rubbish and worse still, try to explain it with pseudo techno talk. rolleyes

IforB

9,840 posts

252 months

Saturday 8th September 2012
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Now that is just rubbish.

I'm a fan of some fancy cables and will happily have a discussion with anyone over the merits of decent stuff, but that is just total and utter nonsense and pseudo science.

I'd expect a lot better from a supposedly professional writer.

OldSkoolRS

7,080 posts

202 months

Saturday 8th September 2012
quotequote all
Hopefully only people who can afford to throw money away fall for it though...If I'm in Comet or similar and hear an old couple getting the hard sell about Monster cables or whatever I feel an overwhelming desire to have a quite word when the sales person goes away. hehe

RedLeicester

6,869 posts

268 months

Saturday 8th September 2012
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Dear oh dear.

rumple

13,556 posts

174 months

Sunday 9th September 2012
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This is one of the reasons I don't but Hifi magazines.

fwaggie

1,644 posts

223 months

Sunday 9th September 2012
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Here's your chance then:-

http://www.hi-fiworld.co.uk/index.php/letters/462-...

(if you can type a letter whilst trying not to fall off the chair laughing at their stupidity)

Davidos

201 posts

220 months

Sunday 9th September 2012
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Don't forget your Cable Elevators

probedb

824 posts

242 months

Monday 10th September 2012
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This is still the best audiophile cable ever....it's just an ethernet cable.

http://www.amazon.com/Denon-AKDL1-Dedicated-Link-C...

Read some of the comments wink

rotarymazda

538 posts

188 months

Monday 10th September 2012
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TonyRPH said:
So, the review is (kind of) implying that a cable that carries a digital signal is analogous to a cable carrying an analogue signal.
High-speed digital signals are basically analogue. A lot of my time is spent designing electronics to shove 3Gbps digital signals down 100m of cable.

For analogue signals, all signal degradation during transmission lowers the quality of what you end up with.

For digital signals, as long as the receiver can still reliably recover the bit stream, you get exactly what you put in. If the signal degradation is bad enough , you cant recover 1's and 0's reliably any more. You tend to get all or nothing.

In practice, the bit error rate on even a cheap cable will be so close to zero that it's not worth worrying about.

USB data does arrive in blocks but there are no narrow bits.


TonyRPH

Original Poster:

13,460 posts

191 months

Monday 10th September 2012
quotequote all
rotarymazda said:
High-speed digital signals are basically analogue. A lot of my time is spent designing electronics to shove 3Gbps digital signals down 100m of cable.

For analogue signals, all signal degradation during transmission lowers the quality of what you end up with.

For digital signals, as long as the receiver can still reliably recover the bit stream, you get exactly what you put in. If the signal degradation is bad enough , you cant recover 1's and 0's reliably any more. You tend to get all or nothing.

In practice, the bit error rate on even a cheap cable will be so close to zero that it's not worth worrying about.

USB data does arrive in blocks but there are no narrow bits.
I appreciate that it's "just a square wave" being sent down a cable.

Is it sent in packets, or as a continuous stream (I seem to recall it's a continuous stream)?

I don't understand the "arrives in blocks" part. I thought it was like a carrier, with the bits superimposed upon said carrier?





mrmr96

13,736 posts

227 months

Monday 10th September 2012
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TonyRPH said:
I appreciate that it's "just a square wave" being sent down a cable.

Is it sent in packets, or as a continuous stream (I seem to recall it's a continuous stream)?

I don't understand the "arrives in blocks" part. I thought it was like a carrier, with the bits superimposed upon said carrier?
You have a carrier wave in FM and AM transmissions, where the medium is radio and you need a carrier wave upon which to superimpose an analogue signal.

However with a digital signal it's on or off. In radio this can mean "signal" and "no signal". In a wire this can mean "voltage and no voltage". So the "square wave" which contains the digital info is basically just a sequence of "volts" and "no volts".

What's interesting is that in reality it's not a totally square wave, since the rise starts quickly and tapers, and so does the fall. It's more like a saw tooth which is then interpreted back into digital form (i.e. bits) in processing, and then the data is extracted from these bits.

andrewrob

2,913 posts

213 months

Monday 10th September 2012
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Don't forget to upgrade your power cable too http://www.highendcable.co.uk/Nordost%20ODIN%20Pow...

Riff Raff

5,427 posts

218 months

Monday 10th September 2012
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andrewrob said:
Don't forget to upgrade your power cable too http://www.highendcable.co.uk/Nordost%20ODIN%20Pow...
Whilst I'm not going to suggest that spending £9,000 on mains cable is anything other than daft, I have spent money 'upgrading' the mains cables in my main system.

There are a couple of reasons why you might want to do this - one is connected with making your system sound 'better', the other is connected mainly with aesthetics.

The stuff I use is this: http://www.hificables.co.uk/10865/Supra-LoRad-2-5-...

Dealing with the aesthetics first, I have a lot of boxes, and if I used standard two metre length kettle leads, I'd have an awful to of cable to hide behind the equipment rack. So all the cables I have are cut to just the right length to get from the distribution block to the piece of kit in question.

This leads on to the second point - making the system sound better. That's a bit misleading really, as my objective is really to make sure that the mains cable doesn't make the system sound worse. The Supra cable I've linked to is shielded so effectively that you can run a mains wire detector over it and it won't register at all. This in my book has to be a good thing, because all of the mains cabling in my system has to run fairly close to signal leads, and the objective here is to make sure that the mains cable doesn't adversely impact on the signal cables, which in some cases are carrying signals that don't reach a few microvolts.

OK, I could maybe get round the issue by using balanced connections, and I do do that for most of the connections between source and pre and power amps, but I can't do that for my turntable and phono stage.

Some people may snigger at what I've done, some may pooh pooh the rationale, but for the sake of maybe £150 spent on cable and connectors, and a couple of hours of my time, I'm happy.

And, I can turn the volume up to 11 on my phono input with nothing playing, and there is no hum, no hiss, just inky black silence.