To stabilise, or not to stabilise
Discussion
As alluded to in the Sigma 1.8 thread, many lenses appear to be dismissed if they don't have IS.
I tend to leave my IS off in most instances anyway. Anybody else do this? Are you put off a lens (or camera) if it doesn't have a stabiliser of sorts?
It just seems photographers have become too reliant on it. It's like the ESP of cameras.
Or should I, as with ESP, just play it safe and leave my IS switched on?
I tend to leave my IS off in most instances anyway. Anybody else do this? Are you put off a lens (or camera) if it doesn't have a stabiliser of sorts?
It just seems photographers have become too reliant on it. It's like the ESP of cameras.
Or should I, as with ESP, just play it safe and leave my IS switched on?
IS is useful to me in low light hand held situations where, without it, I wouldn't have gotten the shot. In good conditions (reasonable light) I usually turn the IS off as the AF locks faster without it. The faster the shutter speed, the less the need for IS hence lenses such as the Canon 400mm f/5.6 don't really need IS when used for their primary purpose, birds in flight.
Although I've yet to try one, the latest Canon super tele's with 3 stage IS are supposed to be very good. The 3rd stage only switches the IS on at the point of pressing the shutter button so, in theory, you get the AF speed of a lens with IS off and the image result of having it on. The only downside is that prices start at £5k for a 300mm f/2.8 L IS II.
Although I've yet to try one, the latest Canon super tele's with 3 stage IS are supposed to be very good. The 3rd stage only switches the IS on at the point of pressing the shutter button so, in theory, you get the AF speed of a lens with IS off and the image result of having it on. The only downside is that prices start at £5k for a 300mm f/2.8 L IS II.
I'm not sold on the benefit of IS. I find subject motion becomes a problem before camera shake does, but then I'm not shooting large telephotos at the moment.
Watching this thread with interest though. I suspect my next lens will be a 70-200mm f4 and I'd like to know what makes the IS version worth several hundred pounds more!
Watching this thread with interest though. I suspect my next lens will be a 70-200mm f4 and I'd like to know what makes the IS version worth several hundred pounds more!
Mr Will said:
I'm not sold on the benefit of IS. I find subject motion becomes a problem before camera shake does, but then I'm not shooting large telephotos at the moment.
Watching this thread with interest though. I suspect my next lens will be a 70-200mm f4 and I'd like to know what makes the IS version worth several hundred pounds more!
Completely agree. The HalfPints move too quickly when playing indoors for me to take a decent shot, and only the 50mm 1.8 comes close at the moment. Perhaps playing with the camera more and I'll learn how to compensate.Watching this thread with interest though. I suspect my next lens will be a 70-200mm f4 and I'd like to know what makes the IS version worth several hundred pounds more!
Mr Will said:
I'm not sold on the benefit of IS. I find subject motion becomes a problem before camera shake does, but then I'm not shooting large telephotos at the moment.
Watching this thread with interest though. I suspect my next lens will be a 70-200mm f4 and I'd like to know what makes the IS version worth several hundred pounds more!
I have the non IS 70-200 f4 and it's perfectly usable, even my 8 year old nephew managed ok with it....as long as shutter speed are kept up obviously!Watching this thread with interest though. I suspect my next lens will be a 70-200mm f4 and I'd like to know what makes the IS version worth several hundred pounds more!
It depends what I'm doing.
My 100-400 is IS, quite handy for handholding at long focal lengths, my 24-105 is IS which is good as I use that as a walkabout, when on holiday for example, when it comes in useful.
The rest of my lenses aren't, the only one where it could be handy is my 135mm f2, but as that is the sharpest lens I own I wouldn't want anything to detract from that.
My 100-400 is IS, quite handy for handholding at long focal lengths, my 24-105 is IS which is good as I use that as a walkabout, when on holiday for example, when it comes in useful.
The rest of my lenses aren't, the only one where it could be handy is my 135mm f2, but as that is the sharpest lens I own I wouldn't want anything to detract from that.
Mr Will said:
I'm not sold on the benefit of IS. I find subject motion becomes a problem before camera shake does, but then I'm not shooting large telephotos at the moment.
Watching this thread with interest though. I suspect my next lens will be a 70-200mm f4 and I'd like to know what makes the IS version worth several hundred pounds more!
I *think* the f4 IS has better glass doesn't it ? It's not just IS that differentiates them. Watching this thread with interest though. I suspect my next lens will be a 70-200mm f4 and I'd like to know what makes the IS version worth several hundred pounds more!
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