Going to Le Man - Lenses?
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Discussion

jon-

Original Poster:

16,534 posts

245 months

Monday 10th June 2013
quotequote all
Quick question!

I'm off to Le Man for the first time this year and quite fancy taking my SLR. I'm lucky enough to have a good hospitality package so can get mini buses around the circuit to the prime locations.

I'm shooting on a cropped body (60D). I'll be taking my 24-105 F4 as a general walk about lens, but wondered whether it will be worth renting something like a 70-200 or 400 for track side shots?

Probably won't pack a flash, will stick the 50 1.8 in the bag and rely on ISO for indoor shots.

rottie102

4,033 posts

213 months

Monday 10th June 2013
quotequote all
jon- said:
I'm shooting on a cropped body (60D). I'll be taking my 24-105 F4 as a general walk about lens, but wondered whether it will be worth renting something like a 70-200 or 400 for track side shots?
Yes

markmullen

15,877 posts

263 months

Monday 10th June 2013
quotequote all
Yes, I swapped my 70-200 for a 100-400 specifically for Le Mans. There are few places around the circuit where you can shoot above the catch fences, so it can be hard work getting a pleasing shot. Try the grandstands (tribunes) at night for a view into the pits.

marcosgt

11,497 posts

205 months

Monday 10th June 2013
quotequote all
The catch fencing is the difficulty nowadays, there are few spots where your view will be uninterrupted (High up on the bank at Tertre Rouge or on the exit of the Esses, maybe?).



From the top of the Tertre Rouge bank, but it was 1988! biggrin



Inside of the exit from the Esses (more recently!)

Get a long lens (or a decent telephoto zoom) and open it up to ensure a small depth of field and then you can lose the catch fencing with blur (or to a degree anyway).

A monopod would be a good investment to help steady the lens.

As the previous poster suggested, a 70-200 is probably too short, unless you're prepared to crop and lose overall resolution.

M.

Edited by marcosgt on Monday 10th June 16:27

jon-

Original Poster:

16,534 posts

245 months

Monday 10th June 2013
quotequote all
Thanks guys. Maybe I'll look at the 100-400, but I'm not entirely convinced. I get on with the push pull, but I prefer something faster. I think a 400 prime would be a bit overkill, though I am used to shooting with primes (the 24-105 is my only zoom!)

nellyleelephant

2,711 posts

263 months

Monday 10th June 2013
quotequote all
jon- said:
Thanks guys. Maybe I'll look at the 100-400, but I'm not entirely convinced. I get on with the push pull, but I prefer something faster. I think a 400 prime would be a bit overkill, though I am used to shooting with primes (the 24-105 is my only zoom!)
400 f4 DO if you can find one to rent? I'd imagine that anything faster will have a long waiting list to rent. 300 f4?

Thunderace

759 posts

274 months

Tuesday 11th June 2013
quotequote all
Over the top of the catch fencing at Tertre Rouge. Canon 5D2 (so no crop factor) and 70-200mm.




jon-

Original Poster:

16,534 posts

245 months

Tuesday 11th June 2013
quotequote all
Thunderace, how much have you cropped into those photos? Seems plenty close enough on a 200mm FF?!

mike80

2,421 posts

245 months

Tuesday 11th June 2013
quotequote all
Remember anything too big and heavy you could end up carrying around for a long time! Worth bearing in mind.

Thunderace

759 posts

274 months

Wednesday 12th June 2013
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jon- said:
Thunderace, how much have you cropped into those photos? Seems plenty close enough on a 200mm FF?!
Maybe about 15% cropped off the width. I also had a crop body, 100-400mm and 1.4 convertor with me, at that part of the circuit full frame and 70-200 felt most appropriate.

Disastrous

10,208 posts

246 months

Wednesday 12th June 2013
quotequote all
The 60D has the flip out screen so I'd look to take a monopod and a remote so I could hook it up above the fencin and still see what I'm doing, if possible. Sorry, not a lens thing but just a thought that occurred,

nellyleelephant

2,711 posts

263 months

Wednesday 12th June 2013
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I'd have thought that a flip screen would be a hindrance with anything that close and fast moving....

DavidCane

853 posts

270 months

Wednesday 12th June 2013
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You won't be using a flip out screen at a distance for panning shots. Head on and driving away, possibly & long exposure at night with the light trails. Not panning tho.

I wish I was going, it's still on my must-do list.

kybo

1,166 posts

224 months

Wednesday 12th June 2013
quotequote all
What about a 70-200mm F2.8 with 1.4 or 2x tele-converter? Should maintain decent focusing speed and provide additional reach when required.
Or Sigma 50-500mm? It's a bit of a pig if you're carrying it all day but done me just fine on many a motorsport weekend. Not the best in fading light (or maybe that was just me!!).

Just a thought [or 2].

Enjoy!!

Scott

moribund

4,407 posts

243 months

Wednesday 12th June 2013
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I use a 300mm zoom on my 550D (crop) at LM and think that 400mm wouild be handy but would be limiting if fixed focal length. There are a few places where 400mm would be just too much.

Shooting through the fencing is quite possible with lower shutter speeds too.


jon-

Original Poster:

16,534 posts

245 months

Wednesday 12th June 2013
quotequote all
Cheers guys, I really appreciate the advice. Sounds like the focal length I'll need will vary a lot depending on where I am, so I might just bite the bullet and borrow a 100-400.

Related, but at a slight tangent... I might be able to blag a helicopter ride above the circuit. I've never been in a helicopter, so no idea what focal length I'll need for nice shots. Would it be worth packing a 10-20 for really wide air shots?

smack

9,773 posts

220 months

Wednesday 12th June 2013
quotequote all
400 2.8, with 1.4 and 2 TC's.

jon-

Original Poster:

16,534 posts

245 months

Wednesday 12th June 2013
quotequote all
I've shot handheld at 800mm before. Couldn't find anything.

smack

9,773 posts

220 months

Wednesday 12th June 2013
quotequote all
Pussy. Don't you lift?

lowdrag

13,183 posts

242 months

Thursday 13th June 2013
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To give you a clue, this was taken Sunday with a 200/400mm f4 lens from high above the esses at 400mm. You'll see the fencing intrudes.



Uploaded with ImageShack.us

This, by comparison, taken trackside (so the other side of the chicken wire) with the same lens again at 400mm:-



Uploaded with ImageShack.us

You'll need all the galss you can get hold of, but I would warn against, if a consumer and not pro lens, using a teleconverter since you'll lose too much light. HTH.