Discussion
http://www.manfrotto.co.uk/three-section-monopod
This is what I use with the same body and lens combo as yourself. I can't fault it any way.
This is what I use with the same body and lens combo as yourself. I can't fault it any way.
I use one a Gitzo 5561T carbon jobbie on a Canon 70-200 lens. Really lightweight so if there isn't time to rotate the lens clamp you can just pick the whole rig up and rotate it 90 degrees for a shot. Providing you don't take someon's eye out
http://www.gitzo.co.uk/series-5-6x-traveler-6-sect...
http://www.gitzo.co.uk/series-5-6x-traveler-6-sect...
mikef said:
I use one a Gitzo 5561T carbon jobbie on a Canon 70-200 lens. Really lightweight so if there isn't time to rotate the lens clamp you can just pick the whole rig up and rotate it 90 degrees for a shot. Providing you don't take someon's eye out
Wouldn't that defeat the object of using a monopod?alistair1234 said:
I suppose my next question should then be about which head to go with it.
Do I need a particular type that allows me to pan or tilt?
I use a Kirk monopod head on mine, it all depends what you're doing with it. I'd steer clear of ballheads as humans only have two hands.Do I need a particular type that allows me to pan or tilt?
Simpo Two said:
mikef said:
I use one a Gitzo 5561T carbon jobbie on a Canon 70-200 lens. Really lightweight so if there isn't time to rotate the lens clamp you can just pick the whole rig up and rotate it 90 degrees for a shot. Providing you don't take someon's eye out
Wouldn't that defeat the object of using a monopod?
What I do is equine photography; almost all with the 70-200 2.8L, which is a heavy beast to hold for an entire competition, and I need to move about the arena so a tripod is out, plus it scares the horses. Most shots are fine in landscape, but a few shots benefit from portrait or odd angles (have to make a quick call on that). Pro equine photographers take the mick out of monopods because they (usually) only produce one orientation for an entire competition - the Gitzo carbon is light enough to ring a few changes.
mikef said:

What I do is equine photography; almost all with the 70-200 2.8l, which is a heavy beast to hold for an entire competition, and I need to move about the arena so a tripod is out, plus it scares the horses. Most shots are fine in landscape, but a few shots benefit from portrait or odd angles (have to made a quick call on that). Pro equine photographers take the mick out of monopods because they (usually) only produce one orientation for an entire competition - the Gitzo carbon is light enough to ring a few changes.
mikef said:
What I do is equine photography; almost all with the 70-200 2.8L, which is a heavy beast to hold for an entire competition, and I need to move about the arena so a tripod is out, plus it scares the horses. Most shots are fine in landscape, but a few shots benefit from portrait or odd angles (have to make a quick call on that). Pro equine photographers take the mick out of monopods because they (usually) only produce one orientation for an entire competition - the Gitzo carbon is light enough to ring a few changes.
I don't know what conditions you're working in but wouldn't a steady hand and good high-ISO performance be an alternative to a monopod? I hate carrying stuff about!That's what I did for years - it must be old age kicking in. A competition day can last from 9 to 5 which is a long time to hold a 5D and lens. So a really lightweight carbon monopod is a useful addition, at least for me.
I've noticed that a lot of photographers really don't like monopods...
I've noticed that a lot of photographers really don't like monopods...
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