city of prague philharmonic orchestra
city of prague philharmonic orchestra
Author
Discussion

fin racer

Original Poster:

766 posts

257 months

Friday 29th December 2017
quotequote all
folks,

couple of questions:

in terms of CoPPO, and other well-known philharmonics, whenever they cover (in the absence of a more suitable word) a composition, do they add their own flourishes or is it strictly as per how the original was created?

Also, does anyone know how often they host sessions in the opera house or smecky music studios?

I've checked both the CoPPO official site and the studio official site and neither seems to have been updated since January this year?
You won't need to read this far to know that I'm not cultured, I've simply started listening to some of the orchestras recent film score compositions and as well as being very powerful it's also deeply moving,I'd love to see some of it live.

Thanks

cherryowen

12,552 posts

233 months

Saturday 30th December 2017
quotequote all
I can only answer your first question.

An orchestra's interpretation of a given piece of music is purely at the discretion of the principal conductor (PH'er ANiceCupOfTea would elaborate). But, essentially for example, all of the musicians in the Berlin Philharmonic will be top drawer, but how they play - say - Mahler's 5th Symphony would have depended on whether Claudio Abbado was conducting or Simon Rattle.

Simes205

5,017 posts

257 months

Saturday 30th December 2017
quotequote all
Taking it further you could hear the same piece by the same orchestra and conductor again the following night and it will be very slightly different,in terms of tempo.

Orchestras in the UK play very stylishly, in the USA can be very bright (brash) sounding, in France they tune slightly higher than our concert
A of 440 (444).

Conductors create the interpretation.

Here’s a clip of a famous trumpeter (who taught myself and Nice cup of tea at music college) disagreeing with Leonard Bernstein is conducting .

https://youtu.be/F-Zfhk22-_M

Film scores are a good way into classical music. Don’t worry too much about who is playing them, enjoy the music.

Edited by Simes205 on Saturday 30th December 09:13


Edited by Simes205 on Saturday 30th December 09:16

fin racer

Original Poster:

766 posts

257 months

Saturday 30th December 2017
quotequote all
Thanks for that guys. As has been stated, at the moment I'm just trying to enjoy what I hear

cherryowen

12,552 posts

233 months

Saturday 30th December 2017
quotequote all
Simes205 said:
in France they tune slightly higher than our concert A of 440 (444).
I didn't know that!

thumbup



languagetimothy

1,775 posts

191 months

Sunday 31st December 2017
quotequote all
All these tunes are open to interpretation and if you listen to different versions of a piece it can be quite noticeable. It's about the accent or tempo or bringing part of the orchestra more into play (or less).think of cover versions in say a rock song.
Take Andrea Roux for example, successful as he is, I find the interpretation a bit bland and, to me anyway, he effectively bundles through the tunes, very well, but missing some little. Nuances.

Tomorrow morning, New Year's Day, there's usually a live news years day concert from Vienna on BBC1 always worth a watch either live, depending on hangover, or on iplayer.

Give it a go.


Simes205

5,017 posts

257 months

Sunday 31st December 2017
quotequote all
allied to that about the Vienna Phil tomorrow, you’ll hear a lot of waltz’s.

fin racer

Original Poster:

766 posts

257 months

Wednesday 3rd January 2018
quotequote all
thank you to all for your responses. At least part of my questions answered.