Cinematography
Discussion
Last movie I watched that I loved the camerawork and lighting was 'Road to Perdition' - just watched DVD of 'Pride and Prejudice' (2005 version with Sutherland, Dench and that girl with the pointy chin).
Very lavish, beautifully shot rural English landscapes.
If you can do without car chases, explosions and put up with hopeless romantisim it's worth a watch (and actually quite funny in places).
Very lavish, beautifully shot rural English landscapes.
If you can do without car chases, explosions and put up with hopeless romantisim it's worth a watch (and actually quite funny in places).
GetCarter said:I hated watching that 'World of Interiors' version of P & P - and as for all
- just watched DVD of 'Pride and Prejudice' (2005 version with Sutherland, Dench and that girl with the pointy chin).
Very lavish, beautifully shot rural English landscapes.
If you can do without car chases, explosions and put up with hopeless romantisim it's worth a watch (and actually quite funny in places).
those sisters gigling inanely all the time, SOO annoying! The last TV series IMVHO was better all round,
especially for the so important adaptation of the novel.
Pulp Fiction for me too!
(Will somebody please tell me how to insert Smilies)
>> Edited by elderly on Tuesday 7th February 18:21
Gruffy said:
Or for the old school... Kurasawa's Seven Samurai and Rashomon - every frame a work of art.Gruffy
Prefer Yojimbo. If you like lavish, beautifully shot rural English landscapes you could try Ang Lee's Sense and Sensibility or anything from Merchant Ivory. I agree you can't go far wrong with Mr Kubrick, the Coen brothers or David Lean. A film I keep going back to is 'Shine', Not overtly cinematic, but a very underrated and well crafted film, IMHO.
Andy Mac said:
2001:Space Oddesey!
Greatest film ever!!! I love watching it with dummass mates and seeing how long it is before they say "What the hell is this pile of crap" and I then have to spend ages explaining the meaning of it all!!!
Very thought provoking movie. As are the 3rd and fourth ones. (2061 and 3001) (BOOKS ONLY)
Greg
ps. Armageddon is great too!

Bacardi said:Equally amazing and also in the collection. I could go on and on with Kurasawa's films but I just gave my two personal favourites. The shot at the end of Seven Samurai with the survivors standing in front of the Samurai graves... beautiful.
Gruffy said:Prefer Yojimbo.
Or for the old school... Kurasawa's Seven Samurai and Rashomon - every frame a work of art.
Gruffy
www.kubrick2001.com/
You need to see this site. Its a flash explanation of the fundamental thoughts behind the books.
Get, I am sorry to say that your tincy bandwidth may not cope with it, but have a try.
Greg
Mr Noble said:
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www.kubrick2001.com/
You need to see this site. Its a flash explanation of the fundamental thoughts behind the books.
Get, I am sorry to say that your tincy bandwidth may not cope with it, but have a try.
Greg
I saw that a while back. It's probably the best explanation out there, without getting into the realms of sillyness!
Don said:
Also worth it from the sheers aesthetics point of view is "The Draughtman's Contract".
I'd second that.
I would also add a vote for "The Magnificent Ambersons", Orson Welles second film.
And the same cinematographer, Stanley Cortez, did "The Night of the Hunter", a wonderfully sinister work.
magnum said:
I think some of the cinematography in Michael Mann's Heat and Collateral movies is superb. Lawrence of Arabia edges it though.
You can add to that his work on The Insider as well. Mann is possibly my favourite producer/cinematographer - his movies offer a steely coolness unmatched by others IMO.
GetCarter said:
Just watched DVD of 'Pride and Prejudice' (2005 version with Sutherland, Dench and that girl with the pointy chin).
Very lavish, beautifully shot rural English landscapes.
If you can do without car chases, explosions and put up with hopeless romantisim it's worth a watch (and actually quite funny in places).
Funny, i thought exactly the same thing....really well shot IMO.
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Sorry, Pulp Fiction every time for me. 

