PH Blog: why stills photography still matters
You might be surprised to hear that, as a video man, Harris is advocating the old-fashioned still image...
At this point Garlick will berate me for my shoddy iPhone images.
Anyway, hacks may not like to admit as much, but imagery became the most important aspect of motoring media many years ago. Just try selling a package of words and pictures as a freelancer and you'll quickly learn this. Great pictures, average story? Easy sell. Hemingway on the N24 and a few grainy iPhone shots? You won't shift it.
I have always loved being involved with taking great still images. There's an unparalleled professional synergy at work, and when you get it right - a particular piece of driving, on a rigorously researched location, captured with optimum use of light - it is the most rewarding part of the job for me.
The lead shot was the Nurburgring in 2004. Great weather with a friend driving my then long-term Clio V6 and, one of the very best auto snappers in the business, Mark Bramley hanging from the passenger window. It's the perfect action photograph: vivid, fast, intense. You can see the hand on the wheel - it makes you want to be there, in that car.
Sometimes, of course, it just happens with no warning. No set-up, just a moment of instinct and a result you can't believe. This is equally enjoyable.
Again, the Nurburgring, this time 2007. I was just messing about the night before a VLN test and met one of the very best F1 snappers (and 993 devotee) Darren Heath in the car park. From memory, he was shooting a new Rolls Phantom with Nick Mason for a Sunday Times feature. Anyways, being the arch idiot that I am, when I overtook them later that evening I pulled a silly slide. A few days later he sent me this. I could have spent hours setting this up with a lesser talent and completely failed to capture the frame. It's not a perfect image, but it perfectly captures that moment in a way a video clip never could.
Now everything's digital there's instant gratification too, but it wasn't that long ago we used to wait for strips to come back from the processing lab and leg it over to the light-box to see the results of derring-do. And the occasional shunt.
However much I enjoy the added drama of seeing a car moving, often sliding in full HD video, there is something about a great still image that I find more powerful - just as a great novel always defeats the most intense film experience.
Why all this photo talk? This video on the Drive channel I produce content for went live a few days back. It's a deliberately indulgent piece about going out and taking great photographs. It just reminded me how much I enjoy the process.
Chris
See here for info on PistonHeads photo sessions.
And also
"shall we clean the car?"
"No"
Shame that as the shots would be 10x better with a clean car...
Also found it slightly amusing the way they made it out as if they were the first professional photographers to actually do photography for a bit of fun!
Photos are still good, just not as good as they could have been IMO
Only asking because the first one is obviously Brünchen Exit to my eyes.
But the second one looks like another slight uphill righthander - and there arent that many around of those on the Ring - Could be exit of Wippermann, but I believe there should be less gras and more rubble on the background then.
Not Hohe Acht either, as at that angle the shed midcorner should be visible, non?
Galgenkopf is probably my best bet - but I'm not sure about it.
Please enlighten us all
CK
And also
"shall we clean the car?"
"No"
Shame that as the shots would be 10x better with a clean car...
Also found it slightly amusing the way they made it out as if they were the first professional photographers to actually do photography for a bit of fun!
Photos are still good, just not as good as they could have been IMO
I guess for me if the car's too clean it doesn't look like they're having any fun!
"No"
Shame that as the shots would be 10x better with a clean car...
Photos are still good, just not as good as they could have been IMO
There are some nice 'dirty' shots in the R8 GT piece in this months Evo magazine.
But then I love the sight of a 911 with a roof rack so what do I know
Here's a few of my favourite shots over the years...
Cheers,
cuda
"No"
Shame that as the shots would be 10x better with a clean car...
For me, dirty was the right choice. As photographers we're in the story telling business and everything about that GTS- from the snow tyres and roof rack to the road grime- contributes to the tale of that car in that location at that time.
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